Once upon a time, there was a man who did not look like a normal man. He stood about nine feet tall and he was made entirely of these fluffy, pink pillows. His arms were pillows, his legs were pillows, his body was a pillow, his fingers were little tiny pillows. Even his head was a big, round pillow. On his head, he had two button eyes and a big smiling mouth that was always smiling so you could always see his teeth, which were also pillows – little, white pillows. Now, the Pillowman had to look like this; he had to look all soft and safe because his job was very sad and difficult.
You see, whenever a lady or a man had a very sad and dreadful life and they just wanted to do away with themselves, just end their lives and end all the pain, well, just as they were about to do this, by gas or by razor or by bullet or by whatever preferred method of suicide – “preferred” is probably the wrong word for that, but anyway – just as they were about to do it, the Pillowman would go to them. He would sit them down and he would gently hold them and say, “now, hold on a minute”, and time would slow strangely and as time slowed, they would go back in time to when that man or that lady was just a little boy or a little girl and the life of horror they were to lead had not yet quite begun.
And you see, the Pillowman’s job was a very sad one because the Pillowman’s job was to get that child to kill themselves, and so avoid all the years of pain that would just end them up in the same place anyways – facing a river, facing a shotgun, facing a razor. “But I’ve never heard of a small child killing themselves”, you might say. But the Pillowman would always suggest that the child do it in a way that made it look like a tragic accident: he’d show them the bottle of pills that looked just like sweeties; he’d show them the place on the river where the ice was too thin; he’d show them the parked cars that it was really too dangerous to dart out between; he’d show them the plastic bag with no breathing holes, and exactly how to tighten it. Because mummies and daddies always find it easier to come to terms with a five-year-old lost in a tragic accident than they do with a five year old who has seen how shitty life is and has taken action to avoid it.
Now, not all the children would go along with the Pillowman. There was one little girl, a happy little thing, who just wouldn’t believe the Pillowman when he told her that life could be awful and that her life would be, and she sent him away, and he went away crying, crying big, gloopy tears that made puddles this big, and the next night there was another knock at her bedroom door and she said, “go away, Pillowman. I’ve told you, I’m happy. I’ve always been happy and I’ll always be happy.” But it wasn’t the Pillowman. It was another man. And her mummy wasn’t home, and this man would visit her every time her mummy wasn’t home, and she soon became very sad, and as she sat in front of the oven when she was twenty one she said to the Pillowman, “why didn’t you try to convince me?” And the Pillowman said, “I tried to convince you, but you were just too happy.” And as she turned on the gas as high as it would go, she said, “but I’ve never been happy. I’ve never been happy.”
Well, See, when the Pillowman was successful in his work, a little child would die horrifically. And when the Pillowman was unsuccessful, a little child would have a horrific life, grow into an adult who’d also have a horrific life, and die horrifically. So, the Pillowman, as big as he was and as fluffy as he was, he’d just go around crying all day long, his house’d be just puddles everywhere, so he decided to do just one final job and that’d be it.
So he went to this place beside this pretty stream that he remembered from a time before, and he brought a little can of petrol with him, and there was this old weeping willow tree there, and he went under it and he sat and he waited there for a while, and there were all these little toys under there, and, there was a little caravan nearby, and the Pillowman heard the door open and little footsteps come out, and he heard a boy’s voice say, “I’m just going out to play, Mum,” and the Mum said, “well, don’t be late for your tea, son.” “I won’t be, Mum.” And the Pillowman heard the little footsteps get closer and the branches of the willow tree parted and and it wasn’t a little boy at all, it was a little Pillowboy.
And the Pillowboy said, “hello,” to the Pillowman and the Pillowman said, “hello,” to the Pillowboy and they both played with the toys for a while. And the Pillowman told him all about his sad job and the dead kids and all of that type of stuff, and the little Pillowboy understood instantly ‘cause he was such a happy little fella and all he ever wanted to do was to be able to help people, and he poured the can of petrol all over himself and his smiley mouth was still smiling, and the Pillowman, through his gloopy tears, said, “thank you,” to the Pillowboy, and the Pillowboy said, “that’s alright. Will you tell my Mummy I won’t be having my tea tonight,” and the Pillowman said, “Yes, I will,” lying, and the Pillowboy struck a match, and the Pillowman sat there, watching him burn, and as the Pillowman gently started to fade away, the last thing he saw was the Pillowboy’s happy mouth as it slowly melted away, stinking into nothingness.
That was the last thing he saw. The last thing he heard was something he hadn’t even contemplated. The last thing he heard was the screams of the hundred thousand children he’d helped to commit suicide coming back to life and going on to lead the cold, wretched lives that were destined to them because he hadn’t been around to prevent them, right on up to the screams of their sad, self-inflicted deaths, which this time, of course, would be conducted entirely alone.
A little something I improvised on the piano. It’s the sherlock theme as a ballad.
Quashing her natural curiosity to find out exactly what had happened, Sabriel folded the man’s arms across his chest, after first unclenching the grip that his right hand still had on his sword hilt—perhaps he had not been taken totally unawares after all. Then she stood and drew the Charter marks of fire, cleansing, peace and sleep in the air above the corpse, while whispering the sounds of those same marks. It was a litany that every Charter Mage knew, and it had the usual effect. A glowing ember sparked up between the man’s folded arms, multiplied into many stabbing, darting flames, then fire whooshed the full length of the body. Seconds later it was out and only ash remained, ash staining a corselet of blackened mail.
Sabriel took the soldier’s sword from the pile of ashes and thrust it through the melted snow, into the dark earth beneath. It stuck fast, upright, the hilt casting a shadow like a cross upon the ashes. Something glinted in the shadow and, belatedly, Sabriel remembered that the soldier would have worn an identity disc or tag.
Shifting her skis again to rebalance she bent down and hooked the chain of the identity disc on one finger, pulling it up to read the name of the man who had met his end here, alone in the snow. But both the chain and disc were machine-made in Ancelstierre and so unable to withstand the Charter Magic fire. The disc crumbled into ash as Sabriel raised it to eye level and the chain fell into its component links, pouring between Sabriel’s fingers like small steel coins.
“Perhaps they’ll know you from your sword,” said Sabriel. Her voice sounded strange in the quiet of the snowy wilderness and, behind each word, her breath rolled out like a small, wet fog.
“Travel without regret,” she added. “Do not look back.”—
I think I’ve kind of decided to try and do comics for most of my Sabriel things. Not making any promises, but for now, there you go. They’re a nice way to play around with different ideas, in any case!
I also realize that she is totally supposed to be wearing skis but they just did not want to work for me. Haha, my badddd.
abwuh
Beautiful compositions!
wow this is just really perfect???
aaa it’s so rare to find sabriel art aaaa ;___; <3
All I saw were the images and they felt so familiar to me… now I know why
The Meaning of Life
I think I am going to come back to this video every time I feel sad, or useless, or hurt, or betrayed, or lonely. It really is wondeful. All credit to the owner.
A tragic life is a beautiful life. And its meaning? To tell a story worth loving, feeling, remembering, that means something, anything, to anyone.
bcky:
lets find out about this guy and make him famous.
its like good guy gregs cousin
handsome henry
the more i see this guy around the happier i am
my heart
Who are you marathon-running pretty man?
Tumblr wants to know.
(Source: twin-spica)

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